I've recently added a very fine Goodall GC to my collection. Here's
the short story.
In the past I've owned 2 Goodall GC's, which frankly I thought were
amazing instruments.
I actually acquired my first one by placing a low bid on ebay, not
really expecting to win it but I did.
It was a mahogany/adirondack GC which had incredible power and a clear,
articulate voice. The first time I played I wondered why everyone
didn't play a Goodall. As nice as it was though it wasn't the right
wood combination for me. I liked it enough to get another GC of
mahogany/cedar and again was very impressed by it's tonal attributes
but not quite what I was looking for either.
I subsequently sold both of them and have been enjoying 3 other custom
grand concert guitars I have.
The fabulous workmanship and the incredible volume, sustain and clarity
of the Goodall just stuck in the back of my head though and recently,
almost without thinking about it I bought another Goodall GC. It's a
rosewood b/s, with an engleman top. Nothing out of the ordinary
wood-wise, in fact the top isn't really all that nice looking, but boy
what a sound.
Clear, well defined notes, loud but not brash with excellent sustain
and very comfortable to play.
The funny thing is that I drive luthiers crazy with neck measurements,
explaining every detail about what I want in a quest to get the feel,
the look, the sound I'm hearing in my head and then buy a stock guitar
and...
BTW If you're looking for a Goodall check-out AcousticProMusician and
talk with Danny Brevard.
How about yours?
Post by tsmith1216Haven't seen one. Do you have a Goodall? Be interested in your
thoughts? I have a '96 standard with rosewood back/sides & sitka top.