The voices of 2 guitar makers, while very different, aren;t easily
quantified.
While the TROM I played about 6 mos ago was tighter and more coherent
than other Goodalls I have played, I hear Goodall's guitars as being
much more lively and with some excessive (for me) overtones. I hear
Tippin's guitars as being slightly tighter and with a more pronounced
emphasis on fundamental. I like controlling what the guitar is doing,
not having the guitar bring it's own manifestations to the mix. For me,
the Tippin allows this more readily than models of Goodal that I have
played. You may have an opposite taste in what you want the guitar to
do and that's why the selection of voices out there in guitars, which
has never been greater, is your ally. It occurs to me that I haven;t
ever heard a guitarist who complained that he/she couldn;t find a
guitar that they were in love with. Only that they couldn't afford that
guitar.
I think Will described Tippin guitars the way I hear them.
You must make sure that you try all these guitars yourself in deciding
what voice you want to hear in your guitar.
hans
http://www.soundclick.com/hanstunes